NF: We knew that this record was definitely going to try our Top 10 songs brave attempt, a record that does not necessarily make obvious Kings of Leon. This is the first time, Ethan Johns in the studio with her has not. "Boom, here are the Kings of Leon with a new record. Nathan Followill: I think the first listen, it seems like a slow disk, in the sense that people are used to help us comin 'out of the gate and knockin' front teeth. When people get scared and think that she is not happy with what we are doing, is not so, would be our way of making music forever. I think there's always something different from album to album. There are very few people are frightened and thinking 'this is our sound goes into something else. Then, if the new material for the other songs fit and did not seem forced. What was behind this decision?Ĭaleb Followill: If our fans are ready Top 10 songs, we felt as if we do not take it now, we should not go, so let's go ahead and try. They have an even greater emphasis on atmosphere and Party Songs texture set this time, rather than let it rip. It might be different when it comes to grasp at the time. I think not, although they know that's just something we talk about now. For the next sentence, I know we may think back to the sound of the first two sentences in which we do not use things like reverb. We try to write good songs and that's all that happens in it. I know that some groups to play Party Songs Michael Jackson Songs something, try as Sgt. So it is on feelings more than anything else on? We belong together, so that to get the tones. The next thing you know, we're in the studio and we have a complete song. Sometimes we start a song and Michael Jackson Songs say: "We want this to sound way too dark." But it is usually to build a situation where Jared begins with a bass line, and all of us around him. We have never really an idea of what we seem to be. We get these questions, and it is strange because it is not really a direct response to it. If you start writing songs, some stories have in mind? Only By The Night has a cinematic quality. In this exclusive interview with, Matthew discusses the band inspired songwriting process, why not sounding like U2 and keep the whole family. Her love for the game is tangible, and permeates every note. This is immediately apparent played after a tour of their latest album, All the night, or Top 10 songsa glimpse of the band. It does not matter if it's on stage or Michael Jackson Songs in studio. Given the band's insanely stacked sand to time, Matthew is not likely to care. I would end up being 300 pounds, eat all the time and not leave the house. I feel as if we are crazy if had we have done. Even then, we each should be recorded as time in the studio. "Over the last six or seven years, was the longest break we had for four months. Success seemed calculated: ‘Only By The Night’ appeared to be the band’s pitch to become the next U2, written with the intention of being played in stadiums on a nightly basis.Ī highlight, ‘Crawl’, builds on the creepy magic of 2007’s ‘Charmer’, while ‘Closer’ has a claustrophobic but ambitious air about it."I can not see us quickly out of the way," says guitarist Matthew Followill Kings of Leon.
It was where some fans decided Kings Of Leon had “sold out” and forgotten their roots.īut s oppy pop ballads like ‘Revelry’, ‘Manhattan’ and ‘Use Somebody’ proved to be what the album is remembered for, though. Even Razorlight frontman Johnny Borrell had seen enough, describing ‘Sex On Fire’ as “basically the apex, death and afterlife of landfill indie all in one go”. Whether they’d meant it or not, ‘Only By The Night’ pushed them into a space where there was no returning from. In 2010, Caleb was forced to face up to accusations that the band had lost their way. “‘Sex On Fire’ was the apex, death and afterlife of landfill indie all in one go” – Johnny Borrell “Everyone talks about indie this and indie that, but would you really want to be one of those indie bands that makes two albums and disappears? That’s just sad,” he told Rolling Stone. The sprawling ‘Only By The Night’ tour, which kicked off with a Glastonbury headline set in June 2008, saw them take in arenas all across the planet, including four shows at London’s o2 Arena. Soon, it became memorable for all the wrong reasons. Being a commercially successful act will inevitably alter the fanbase – new fans may not dig the older, rawer material while the originals resent the new mainstream direction.